Venez découvrir l'amplificateur avec tuner intégré SR10 Cambridge Audio noir. Le SR10 haut de gamme combine un amplificateur stéréo intégré à un tuner bibande FM/AM RDS.
Cet ampli-tuner très discret de puissance élevée, allié à un transformateur toroïdal surdimensionné de bas flux au design personnalisé, révèle immédiatement son pédigrée audiophile – tout comme la qualité sonore - dès la première écoute.
Cela sans mentionner les spécifications déjà importantes d’un raccordement à l’avant pour votre lecteur MP3 ou iPod, outre une télécommande complète pour rester confortablement dans votre fauteuil.
A ce prix là le receiver SR10 noir est juste imbattable !Marque | Cambridge Audio |
Modèle | Topaz SR10 Noir |
Couleur | Noir |
Classe d'amplification | Classe AB |
Puissance par canal | 85 Watts |
Nombre de canaux | 2 |
Entrées Ligne RCA | 4 entrée(s) |
Sorties subwoofer | 1 sortie(s) |
Connecteurs Additionnels | Entrée mini-jack 3,5 mm x 1, Sortie REC RCA x 1 |
Tuner Radio | FM, AM |
Fonctionnalités supplémentaires | Jusqu'à 4 enceintes |
Hauteur | 110 mm |
Profondeur | 340 mm |
Cambridge Audio Topaz SR10 reviewIt's not quite as disconcerting as being passed in the street by a penny-farthing, but there's no denying the affordable stereo receiver has become one of the lesser-spotted hi-fi alternatives.
So hats off to Cambridge Audio for finding room for the SR10 in its new ‘Topaz' entry-level range.
After all, what's not to like about an 85 Watts-per-channel integrated amp with on-board FM and MW radio reception, five line-level inputs, a moving-magnet phono stage and the ability to drive two pairs of speakers at once?
In a price-appropriate system, the SR10 offers hints of the peppy, forthright sound that's made the pricier Azur range so popular – an upfront song like The Stooges' Real Cool Time is delivered with plenty of intensity.
A good budget solution
Although the SR10 isn't the last word in detail retrieval, its ability to make your CDs and records energised is not to be sniffed at.
FM broadcasts are similarly vigorous, and the SR10's display is big enough to make RDS of some use.
But the Cambridge has a definite comfort zone – and that zone is the budget arena. In a more expensive, ambitious set-up the SR10 is quickly found out, its relative lack of organisational skills and shortage of outright detail becoming the overt signature of its sound.
Don't allow the SR10 to get any ideas above its station, though, and it's a likeable budget integrated solution.